GENERAL ANTIQUES
Catalog Page 16
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16.69 BEER FOAM SCRAPER. A unique object in the form of a bladed palette knife used to scrape the foam off of a mug of beer after it had been poured! This beer scrapper is sculpted out of one piece of solid ivory engraved with the notation “Tressady Sept, 1884.” Perfect original condition with a nice age patina. 15 ½ inches long by 1 ¾ inches wide. A large, genuine, identified, solid ivory relic over 127 years old! 349 |
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BACK
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INSCRIPTION
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16.67 IVORY COMPACT.
Mid-1800’s or earlier lady’s traveling
make-up case in the form of an oval make-up compact.
This beautifully constructed compact is made of ivory and
silver with a very nice gilt brass hinge cast with a
detailed scene depicting a winged griffin, pot of flowers
and an attendant monkey! The top, side and bottom of
this compact are constructed of thin ivory beautifully
embellished with recurring scalloped designs and oval
scribes. 3 ½ by 2 ½ inches and 1/2
inch thick. Interesting old repair on one edge.
A very nice early piece! 295 |
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OPEN
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HINGE
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OUTSIDE HINGE
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REPAIR
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16.66 CORK SCREW. Genuine, early 19th century cork screw with a turned bone handle. The handle is plugged with a turned bone cap on one end and is fitted with a bristle brush for dusting off a wine bottle. The handle is fastened by a small circular retainer with hole attached to a stout metal support. The “working end” consists of a corrugated disk atop a helical cork screw. Good, old condition. A portion of the screw tip has broken off from use but is still quite functional. 125 ex. Paul Madden Antiques, Sandwich, Massachusetts. Offered here at his original selling price as marked on the 1970’s tag! |
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REVERSE
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16.65 “TURTLE” ASHTRAY. A very unusual example of 19th century taxidermy. This unique ashtray consists of a round brass canister set precisely into the contour of the turtle’s shell. There are two brass extensions. One in the form of a bird is for resting a cigar. The other is a snuffer. The little guy is beautifully preserved in a very realistic pose. 7 ½ inches long by 5 ½ inches wide and 4 ¼ inches high. Outstanding original condition. A curious relic from the days when such naturalistic oddities were in demand. 249 |
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BACK
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FACE
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UNDERSIDE
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16.64 POSTAL SCALE. Genuine early 1900’s English scale as used in Britain to determine postage costs by weight. This all brass balancing scale is stamped on the balance beam “MADE IN ENGLAND WARRANTED ACCURATE.” It features hard steel wedge pivots in the center and on each end. The inverted heart-shaped frame is provided with a pointer to indicate the balancing point. The balance beam is cleverly double pivoted to insure the weighing platforms remain horizontal during use. The unit is mounted to its solid mahogany base on 4 rubber feet. It is complete with all three brass weights which rest neatly in felt-lined recesses. The weights are marked “1/2 OZ, 1 OZ and 2 OZ” respectively. Excellent condition. Fully functional and accurate. The brass surfaces are in there original lacquered finish with light age spotting. 179 |
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REVERSE
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MARKS
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16.63. STERLING SILVER TRAY. Large American serving tray in the form of a scaly fish with big eyes, thick mouth, gills, fins and tail. The underside of the tail is stamped “REED & BARTON 100H STERLING.” This handsome tray measures 22 inches long, 9 ¾ inches wide and is 1 inch deep. It weighs just ½ ounce short of 2 ½ pounds! With today’s silver prices hoviering around $40 an ounce and climbing ($48 recently!), this antique tray is worth nearly $1,600 in scrap weight alone! Lovely original condition with no flaws. 1695 Reed and Barton, based in Tauton, Massachusetts, has been producing fine quality silverware since 1824. The company is internationally acclaimed for its silver and silverplate. It has produced a large variety of silver and pewter products since Henry G. Reed and Charles E. Barton took over the pewter manufactory of Isaac Babitt in 1824. During the Civil War Reed & Barton even manufactured weapons for the Union Army! To this day, Reed & Barton remain in business under ownership of the Reed family. |
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UNDERSIDE
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STERLING
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16.62 45 STAR AMERICAN FLAG. Original flag of the United States with 45 stars. This large linen flag has sewn stars on both sides of the blue field (canton or “Union”) and sewn stripes. It measures 4 by 7 feet. The hoist end, being typical heavy canvas, is attached to and covered by a wooden stick for convenience. The stick may be discarded. Condition must be considered “very good” given its 110+ year age. There is one small hole the size of a quarter lower right and a tear upper right. A very scarce, venerable American relic -- the ultimate patriotic symbol. 295 The 45 star flag became the official United States flag on July 4th, 1896 with the admission of the Utah territory as a state on that date. The 45 star flag remained the official U.S. flag for 12 more years. Presidents serving during that time were Grover Cleveland (1893-1897), William McKinley (1897-1901), and Theodore Roosevelt (1901-1909). Reproduction 45 star flags measuring 3 by 5 feet are currently selling for more than $100. |
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16.17 NUT CRACKER. Charming late 19th C. hand-carved German nutcracker of Black Forest origin. This cleverly contrived and beautifully executed device is in the form of a realistic bear with inset "bean" eyes. The bear's mouth effectively cracks smaller nuts whereas a carved recess at the rear, under the lever, accommodates larger nuts such as walnuts. This intricate, two piece carving is made from a dense dark hardwood, probably walnut. Detailing is very realistic. Excellent original condition with no chips or cracks and a lovely age patina. 7 inches long. 250
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PERSPECTIVE |
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16.58 EARLY GLOBE. High quality early
19th century terrestrial globe made by the famous globe maker Charles
Dien as signed in the maker’s cartouche, “GLOBE Clasique
Publié par Ch. Dien 1831 a Paris.” It is
additionally inscribed “chez CH. DIEN Auteur des
Globes Celestes, Drefses sous l’ Inspection de Mr.
Bouvard, Rue Hautefeuille, No. 13.” This
self-described “classic” globe is made in the traditional
manner using a plaster sphere overlaid by gores of finely
engraved paper. It was subsequently hand-tinted in subtle
shades of green and yellow for a very pleasing effect. The
quality of the engraving is such that minute geographic details are
depicted, including countries, prominent cities, rivers, lakes
mountain ranges, known islands, etc. Interestingly no West
Coast American cities are depicted -- because there were none!
Of course the globe is prominently marked with the names of the
continents and oceans in fancy lettering. The tropics of
Capricorn and Cancer are denoted, as are the equator and prime
meridian. These are both marked in single degrees of latitude
and longitude. The geography of both polar regions, yet to be
discovered, are left blank. However the 15 degree intervals
later used as a basis for time zones, are identified in Roman
numerals I –XXIV. The globe is encircled by a brass
meridian ring finely engraved with single degrees of Latitude.
This rests within the pewter equatorial ring which is divided in
single degrees of longitude marked in 10’s, signs of the
Zodiac, months of the year, and the cardinal compass points.
The ring is supported on iron struts mounted to a brass support atop
the turned wooden base. The globe itself measures 9 inches in
diameter and stands 21 inches high by 12 inches wide overall.
Excellent condition. ![]()
Charles Dien, Jr. was the son of Charles Senior a noted engraver and an associate of Charles-Francois Delamarche (1740-1817), the very famous Paris geographer, publisher and globe maker. Charles Jr. (1809-1870) was a noted astronomer who authored several celestial globes. It is very significant that this rare Dien terrestrial example was made when he was only 22 years old, at a time when he was intent on making a name for himself, and likely was the first if not the only of this type that he ever produced! (Elly Dekker & Peter van der Krogt, “Globes From the Western World,” 1993, Philip Wilson Publishers, London.)
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CARTOUCHE |
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GLOBE |
POLAR DETAIL |
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16.56 EARLY LIVERPOOL JUG. Genuine
late 18th century creamware "Herculaneum" pitcher. This lovely old
example bears 3 distinctive transfers. The obverse is decorated with
the delightfully endearing scene of a pub owner offering a mug to a
willing recipient restrained by his wife. The comedic caption reads,
"Come come my old buck here's the liquor of LIFE. Which drives away
sorrow and reconciles strife. It cures scolding women. Your wrong
reply'd Nell. Your wife as a drunken scold does most excel." The
reverse shows a surprisingly detailed map of the earth surrounded by
classical figures including Lady Britannia and a sunburst. It is
entitled "The World in Planisphere." Under the spout is the poem,
"Succefs To the Plough. The Fleece and the Pail. May the Landlord
Ever Flourish. And the Tenant Never fail." It is surrounded by
vignettes depicting farm implements. This wonderful example of early
English pottery measures 10 inches high and 9 3/4 inches across from
spout to handle. The graceful handle is noteworthy in that it is
particularly stout and has contoured edges. There is a tiny
professional repair to the very tip of the spout and as expected
there are a couple of minor hairlines in the bottom. Overall this jug
must be rated as being in outstanding original condition. Circa 1790.
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Telling of the age of this jug, the spelling of the word "Succefs" is with the early form f as an "s." Further, the world map of North America shows a blank Pacific Northwest, indicating it was yet unexplored.
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16.29 MAP OF AMERICA. Original very
early 19th century (War of 1812 era) map entitled "AMERICA." This
extremely detailed engraving depicts the North and South American
continents with portions of Europe and Africa shown as well. Despite
its grand scale, great pains were taken by the engraver to identify
towns, geographical and topographical features. Interestingly, much
of the northern territories, which had yet to be explored, were left
blank. The map was carefully hand colored providing a decorative as
well as informative presentation. Of particular note in dating this
map is the Florida Territory which is shown as a separate country
from the United States (under Spanish control) identified as "W.
Florida" and "E. Florida." The Louisiana Territory is simply
identified as "Louisiana." And the area west of the "Stony Mountains"
(Rockies) is referred to as "New Albion!" This early map measures 19
3/4 inches wide by 17 3/4 inches sight and is signed lower right, "J
& G Menzies, Sculpt." It is mounted under glass in a carved
antique wooden frame with gilded highlights measuring 26 1/2 by 24
1/2 inches overall. It is in excellent overall condition, with
expected minor flaws and some toning to the paper. A scarce and quite
important decorative piece of Americana from the Federal period, at
least 185 years old! Ideal for office or den.
895![]()
1803 - The United States purchased from Napoleon the territory of Louisiana for $15,000,000. Upon concluding the purchase Robert Livingston, America's Minister to France, said of the transfer, "We have lived long, but this is the noblest work of our whole lives ... From this day the United States will take their place among the powers of the first rank..."
1819 - American Secretary of State John Quincy Adams and Spanish Minister Luis de Onis reach an agreement finally ratified by both nations in 1821, by which Spain gives the United States title to East and West Florida. The United States relinquishes its claims to Texas, and Spain assigns its rights in the Pacific Northwest to the U.S., leaving ownership of the Oregon Territory to be settled among the United States, Russia, and Great Britain.
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16.54 EARLY CARVED AMERICAN EAGLE. Authentic, second half of the 19th century spread-winged American eagle plaque. This handsome, period example of the carver's art is hewn from walnut, dark oak or a similar indigenous hardwood. It depicts the National Symbol in a charmingly naïve way, perched on a limb in a classic pose. The wood is laminated in three layers to give it depth and the surface retains its original dark "ebonized" finish. Although not the work of John Haley Bellamy, it is most certainly contemporary to that famous carver's work and exhibits the bold, sure strokes of a professional carver. The back of this solid, hardwood carving shows hand-cut saw marks and a wonderfully oxidized dark wood patina. 20 1/2 inches wide by 9 inches high and 3 1/4 inches thick. Perfect original old condition having dry, unmodified surfaces, just the way collectors like them! 895
With Bellamy eagles currently selling well into the 5 and 6 figure range, this contemporarily-carved 19th century American eagle is truly bargain by any standard!
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